RED ONE MUSIC REEL 2010
Red One Cinematography Reel 2010
Info: Music Video Reel
BANDS please call to discuss your next music video on the Red One Camera. Package starts from £2,000 including professional crew and editing package.
RED ONE CINEMATOGRAPHY REEL 2010
Red One Cinematography Reel 2010
Info: Latest Red One Reel I Shot in Malta in February 2010.
CISK BEER
KINNIE SOFT DRINKS
IMRAN KHAN (Bewafa) - 4K
Format: Red One Camera (Build 20.1.6)
Director: Rupesh Savani
Singer: Imran Khan
Dop: Keefa Chan
Location: May-Fair Penthouse Suite Hotel (London)
Duration: 3′45″
Info: Imran Khan has been featured in all press and media channels around the world with massive support from the Asian & Mainstream Media Industry and the DJ’s, Promoters, Radio DJ’s, Radio Presenters and finally the fans here in the UK,the Video “Ni Nachleh” got massive air play on all Asian TV channels and mainstream channels MTV,TMF and the BOX, and getting to the number one spot on Radio in music charts around the world.
SKIN DEEP
Format: SONY HD-EXCAM3
Director: Maria Hayes
Duration: 5 mins
Info: The cameraman had a good eye and we kept the frames as still as possible to allow the movement of the sea and the dance to be the focus. Where we did pan in a shot it was minimal and slow.
Although we veered from the shooting schedule to allow for the cold weather conditions, I ticked off the scenes as we did them to keep track of where we were and this meant we worked efficiently. This became increasingly urgent as we raced against the encroaching tide. Sometimes we had to abandon shooting, pick up the equipment and run back for dry land.
NO WINNERS
Format: Panasonic HVX-200A
Director: Kenan Hudervardi
Duration: 4mins
Location: London
Info: A young refugee making a new life in London sees drugs being taken from the door panels of a car at the garage where he works, and sets off a train of events which he is powerless to stop. He turns for help to his brother in law, Takus, who takes matters into his own hands, putting his family and friends in great danger. When tragedy strikes Takus’ closest family, he realises he has nothing left to lose, and sets about seeking revenge, regardless of the cost to himself. Set in North London, the film takes us through the seedy world of illegal drugs, ruthless gangsters and corrupt police, to its tear jerker end.
TUESDAYS GIRL
Format: CANON XL-2
Director: Matt Brown
Duration: 14′24″
Info: Collaboration with Scratched Print Films.
INDEPENDENT BALLET WALES
Format: RED ONE
Duration: 7 mins
Info: Lens Carl Zeiss T2.4 - 12-120mm at 100 fps.
Short promotional film for Independent Ballet Wales. Here they are rehearsing “How Green was My Valley.” Based on the bestselling novel by Richard Llewellyn, an Oscar winning film and the BBC Wales television series, this outstanding new production features choreography from Creative Wales Award winner Darius James and some of the best young dancers in Europe.
“MacMillan Young Composer of the Year” Thomas Hewitt Jones provides an atmospheric and stunning new commissioned score. Thomas worked with the company in 2008 providing the mesmerizing music for “Under Milk Wood”.
TRAIN MOOD SAGA
Format: Sony DSR-570WP
Director: Kenny Jervis
Title: Train Mood Saga
Location: London
Duration: 14′23″ mins
Info: Starring Ben Keyworth
THE MONKEY KING
Monkey King Causes Havoc in the Heavenly Palace.
Cai and Xi create a contemporary interpretation of one of the great Chinese classics in their version of Monkey King as a short film. With monkey faces they symbolically move amidst the objects in the museum, using it as a metaphor for the Heavenly Palace. Monkey King is a renowned classical Chinese novel written some four hundred years ago. Based on a true story of a famous Chinese monk Xuan Zang the legendary rebellious character is invited by the Jade Emperor to the Heavenly Palace where he creates havoc. He eventually attains enlightenment, after being taught discipline and suffering by the Tang priest, who leads him to retrieve the Buddhist scripts from the West (India) to take back to China. The story is mingled with fables, legends, superstitions, monster stories as well as Daoist and Buddhist beliefs. The work also acts as a metaphor for the artists own journey to the West.
